"Cubism was born in Africa" – Pablo Picasso

 

On April 8, 1973, Pablo Picasso put down the brush for the last time. 50 years later, the Spanish painter leaves behind an abundant body of work, rich in tens of thousands of paintings, engravings,...

In the early 1900s, in Europe, the era of colonial expansion was in full swing and tribal art still interested only avant-gardists such as Henri Matisse or André Derain, founders of Fauvism. Before being caught up in African know-how, Picasso first set out to discover Catalan primitive art. 

He made "a journey to the depths of Catalonia, where he discovered a medieval Iberian creation that strongly affected his technique," says Juliette Pozzo, in charge of Pablo Picasso's personal collection at the Musée national Picasso-Paris...

Negro art? Don't know! ", quipped Pablo Picasso to an art critic in 1920, in his own tone without laughter. The Iberian artist, born in 1881 in Malaga, Spain, nevertheless collected African, Oceanic, Hispanic and more broadly, extra-Western art objects. This is in any case what testifies the finds in his private collection and the images of his workshops, full of statuettes, tools, ornaments, masks, totems ...

Picasso was an experimental painter, both one of the most acclaimed and the most criticized of modern art, "for his ultra misogynistic side and very violent towards women," says Olivia Marsaud, head of visual arts at the French Institute of Senegal. 

A little prodigy of drawing from the age of 14 who "could have been one of the greatest classical artists of the twentieth century," says Gilles Plazy, one of his biographers."

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From "A Daily Dose of Muñoz Molina..."

"In the early seventies, when people of my generation were starting [senior high school], we were forced to choose between science and letters.

That poverty [of choice] forever impoverished our culture and therefore our understanding of reality.

In our ignorant adolescence the budding literates had infected us from indifference to the scientific sages practiced by the vast majority of the highlights of humankind.

In the letters was fantasy, imagination, sensitivity, the spirit of rebellion; in the sciences, the methodical, the rigid, the roman, the proseic of a reality that any slightly sensitive person would find less interesting than the elevated world of arts, books and the music.

Just as I miss the music education I did not have, I also regret that the low quality of scientific education I received and then the sharp and absurd separation between sciences and letters do not allow me now to understand more deeply a culture without which it is not possible to understand the reality of things nor adopt an attitude of rationality in life.

Separated from each other, the two cultures of C. P. Snow are lost to eachother in their own dead end alleys."

(A. Muñoz Molina, “The Imagination of the Real”, Mercury n. 133, September 2013)

Standing in a Spanish Doorway: "The Day That Keeps On Giving" (My latest article ...(Repost))

Standing in a Spanish Doorway: "The Day That Keeps On Giving" (My latest article ...: [Photo: Jasar - Granollers] A man slices a dragon's head off (saving a princess) and he then gives her a rose that is made from the...