I
recently visited Barcelona's CCCB
to see their Paral·lel
[Avenue], 1894-1939 exhibition and came away with two names stuck
in my mind.
I
was taken with the soulful paintings of Catalan artist Isidro
Nonell and by the sensuality of the actress/performer Raquell
Meller, who (oddly) has a great attractivness on film but hardly
any in the frozen image.
The
transformation of this area from a dusty and sleezy shantytown of
“outsiders” into an entertainment district then into an important
boulevarde is remarkable.
“Avinguda
Paral·lel was the centre of nightlife and bohemia in the Barcelona
of the early 20th-century and was the realm of the so-called “lesser
genres”, shows definitely popular in nature and in which music
usually played a vital role. These included from cabaret and music
hall, to the revue, vaudeville and social melodrama, flamenco and
zarzuela, the traditional Spanish operetta. In addition, there was a
range of paratheatrical arts, such as circus and varieties of all
kinds, often combined with the first cinematographic screenings.”
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