Sunday, March 28, 2021

Barcelona's homeless union now a reality

 

Spikes to stop street sleepers outside a shop on la Rambla

 "A homeless union is born in Barcelona: "There cannot be people sleeping on the street with 13,000 empty flats", they say’."

[From elDiario.es here: (First found through Business Over Tapas news service.)]


AND see here for semi-related news of the latest Covidiocy: Last night's planned insanity/experiment/super-spreader event in Barcelona.

Saturday, March 20, 2021

"A bigger hassle" -- My latest opinion article for Catalonia Today magazine

[Pic: JOSEP LOSADA: Protesters in Barcelona]

Riots, disturbances, protests, brutal human rights violations, night-time shenanigans or “police-community liaison?”

The events that began immediately after the election here in Lleida, Barcelona and Girona (as well as Valencia and Madrid) can be called whatever you like.

But anyone who thinks that it’s all about something as abstract as freedom of expression is fooling themself.

Young and not so young people are marching, chanting, smashing shop windows, looting and doing the now routine burning of rubbish hoppers for much wider-ranging reasons than just the imprisonment of yet another rapper. That was merely a trigger.


Quite appropriately the other day, I was standing, for a change, not sitting, in my lounge room when I watched a young Catalan on Euronews TV intelligently selected by the editors possibly to give a more comprehensive explanation for why he and his friends ventured out into the cold and put themselves at risk of arrest or worse. (At the time of writing, another citizen had lost an eye from a rubber bullet.) 


The young man in a black face mask with both his eyes still good enough to show on camera, made a point that is entirely absent from most media reports and commentary. While all the action was going on behind him, he was intent on saying that Spain is the worst in Europe for youth unemployment, currently still over 40%. He could also have commented on under-employment as a chronic symptom here since the 2009 economic “crisis.” 


It’s no coincidence that some demonstrators focused their aggression and frustration on banks, destroying furniture and equipment after breaking in. As a symbol of capitalism’s failure for the average person there is no better target of what to smash up.


The pandemic has not created record cases of house evictions or already low salaries unchanged for more than a decade. It has simply made the system we live under more punishingly extreme.


One of the most relevant facts also in the background to the latest episode of “hit the streets and get hit” now applies to at least two generations of people.


Those who are my son's age (late teens, up to early 30s and my generation in our 50s) who are available to be “gainfully employed” simply are not put to good or fair use. This too breeds frustration. 


In my own case, for the last 9 months or so of the pandemic, the best that hyper-capitalism is offering to someone like me with two university degrees and two decades of experience in classrooms with adults and teenagers is that all we can hope for is a patchy timetable teaching little kids in China. Online for 10 euros or less an hour. 


In other words, anyone in a job is supposed to consider themselves lucky and be thankful for getting paid peanuts. Especially if you live in Barcelona, peanuts simply don’t pay the rent or the mortgage. That is also why huge numbers of adults under 30 continue to live in the family home.


Equally, there’s one other crucial element that has hardly been reported. The jailed rapper in question (whose name may as well be spelt hassle, not Hasel) has also criticised [alleged] previous torture and death of demonstrators and migrants, aside from his lyrics about the corruption of those higher up our economic and social food chain.


Plenty of local people know that. It motivates them. 


So why is this not being stated in media outlets who can get away with exercising freedom of expression? 



[This article was first published in Catalonia Today magazine, March 2020.]



Sunday, March 14, 2021

I vote, therefore I am? -- An opinion from Lenox


From the editor of BoT (Business Over Tapas) news service...



"News arrives that an elderly Briton living in Italy was finally successful in his long-term campaign to persuade the British Government to allow Brits living abroad the right to vote. 


Each country has its own rules about this chestnut. The British either lose their vote after fifteen years abroad; or they don’t, because they never had it in the first place (being born abroad or leaving the UK as a minor). Most other nationalities do not lose this right. 


The idea is that we Brits abroad should finally have representation in the World’s Greatest Democracy. What this means is unclear, since the Parliamentary Member for North Norfolk (for example) might have a few dozen supporters living across the world – all of them clueless about sugar-beet and the price of Norfolk wherries (it’s an obscure type of barge). 


Much better we expatriate Brits, all thirteen million of us (Wiki) of which 1.2 million are estimated to be living in the EU (here) – that’s about the size of the city of Brussels by the way – get some useful representation where we live. 


Just for comparison, the official number of Brits in Spain (even after Brexit) is around the same size as the city of Alicante, or ten times the size of the city of Teruel (here). 

Having the vote – probably even swinging the vote – for the Brexit referendum would have been very useful, but it's not much use to us expatriates any more, unless Westminster allows foreign-based constituencies.


The French have eleven of these, representing the French citizens who live outside of their motherland (Wiki). The MP (deputy) for the French diaspora in Spain, Portugal, Andorra and Monaco is called Samantha Cazebonne. I’m sure she is kept busy.

So, unless we have someone who solely represents us Brit expatriates in Westminster, there's not much point. 


My constituency was North Norfolk, and I haven't been back there since I left the UK (via public school somewhere) at the age of 16. Would the different candidates write me glowing testimonials about their work with sugar beet futures? After careful consideration, which one would I chose to represent me (or rather, not represent me) in Westminster? Hmm, tricky.


In general terms, having the vote – or rather representation – here in Europe would be much more useful and fair. So thank you Beacon of Democracy, but I’ll not be bothering to vote. "

                                                                                                                    Lenox Dixit


Wednesday, March 3, 2021

"Yemen: The 9-year-old war-zone school teacher"


 The most moving 90 seconds of TV I've seen in a long time.

"In the city of Taiz, Yemen, hundreds of children arrive for lessons each day in the ruins of a school near to front-line fighting between the government and Houthi rebels.

Ahmed, a nine-year-old boy who has been blind since birth, steps in to take classes when the teachers can't make it.

One in every five Yemeni schools is out of use, according to Unicef. But at this one, teachers decided to open it despite the damage, so that education could continue."

Produced by Orla Guerin, Goktay Koraltan, Claire Read, Ahmed Baider and Suad al-Salahi.

Sunday, February 28, 2021

"The time has come to #FightTheDebt"

"A tsunami of debt has crashed over the world, and billions of people are drowning.

This week, the G20 will meet to decide the direction of the global economic recovery — and we are demanding debt justice.

The G20 governments are the major creditors to the world. But instead of sending emergency support to the world's poor countries, they have helped big banks and vulture funds to collect money that is desperately needed for public health.

We need to break this system of exploitation — and replace it with a system centred on debt justice and the delivery of green and just transitions everywhere.

This struggle is not new. For decades, peoples and nations have fought debt as an instrument of neocolonial extraction.

Today, we take forward that legacy in a global campaign to #FightTheDebt, using this historic opportunity to advance the cause of debt justice."

Download the Briefing & Read Our Demands

Sunday, February 21, 2021

"Eva's eye" -- My latest article for Catalonia Today magazine

 

[Photo: Eva Parey, from Expulsiones Anunciadas]

Even if you just look at the titles of just a few of her solo exhibitions before you focus on the poignancy of her photography, you can get an idea of the scope of Eva Parey’s work: ‘Expulsions Foretold,’ ‘Chernobil Beach,’ ‘Princesses for sale,’ ‘Forced Nomads,’ ‘Gypsy lives,’ ‘The daughters of Durga.’  


From last summer until now, the Covid-19 pandemic was also the subject of an especially harrowing set of photos she took of life in Barcelona’s streets and treatment rooms. It has also meant that several of Eva’s recent exhibitions have had to move online.


I would say it’s near impossible to do justice to the best photography by attempting to use words to describe or comment on it. What I can express is how I’m taken in by her images because of the pure humanity that shines through them and how sensitively she frames her subjects. 


The nucleus of her whole catalogue is people and the living environment but more particularly, people from minority groups or disadvantaged backgrounds.


These include children in Barcelona’s eviction-ravaged Meridiana, ethnic Kalash animists, slum-dwelling women in Mumbai, the victims of new segregation along the Slovak wall and Pakistani immigrants in Barcelona (including her photos of men at prayer in a mosque).


Much of Eva’s work can be viewed on her website (EvaParey.com). One project  she talks about there that has been widely displayed in galleries across Catalonia is titled ‘East Winds.’


According to her it’s “a portrait of the Romani Diaspora [concentrating on a family headed by Ioana,] a matriarch whose 15 children are dispersed across Europe, between Romania, France, Germany and Spain.”


In the section of pictures called ‘Under a Hot Tin Roof’ she says that “After living for a while in Barcelona, Ioana decided to return to Romania, taking care of her grandchildren.”


In Eva’s opinion her children “aspire to be like their elders who are their role models, putting them in the same position as their predecessors once they become adults: at the mercy of political decisions, socio-economic ups and downs and socially at the back of the queue. Emigration is the only way out.”


Her skills are not restricted to fixed images though. Recently, Eva’s first documentary film became available through Filmin. Called ‘Arrels fondes’ (Deep roots) and jointly directed by Pep Martínez, it’s an hour length co-production with IB3 Television in Catalan with English or Castellano subtitles.


As a “journey through the branches of memory on the island of Formentera from the Franco regime to its opening to tourism, locals on the island of Formentera narrate how they survived the famine in the mid-1950s.


Through autumn to summer, the island's transformation is shown, “from tranquillity to tourist saturation with globalization causing the inevitable loss of certain ancestral customs, despite the retired peasants remaining rooted in land and sea; a deep bond that few young people inherit.”


Eva appears to not be content with her substantial creative output since 2006, sharing her knowledge by teaching photography at the Tecnocampus University of Mataró and photojournalism at the UPF in Barcelona. Her professional history also includes participation in collective and group shows such as ‘Photojournalists: looking at violence against women in the world,’ which was held in Barcelona’s Institut Català de la Dona in 2019.


George Orwell wrote that “ As with the Christian religion, the worst advertisement for Socialism is its adherents.” I’d argue that the progressive left could certainly do with a lot less factional tribalists and a lot more people like Eva Parey.

She’s someone who quietly gets on with using their empathy and talents to reveal the human damage that the capitalist machine is doing every day to countless millions across our groaning planet.

(This article was first published in Catalonia Today magazine, Feb. 2020.)

From Eva Parey's webpage...

EXPULSIONS FORETOLD

In the summer of 2010 the French government ordered the mass expulsion of thousands of Roma during August and September after the riots in Saint-Aignan that were triggered by the death of a Roma at the hands of the police.

 

Some of Ioana’s children were living in camps on the outskirts of Lille in France. The police arrived with an expulsion order for everyone to leave within 24 hours. When the time was up they led them to the Belgian border or deported them by plane on the understanding that they would not return to French soil. Many left voluntarily in order to be able to return.

 

This happens every year to Roma people from Eastern Europe. The French government continues expelling Gypsies, nowadays offering no form of financial help.






















Sunday, February 14, 2021

"ESTATAMBESTAT/ESTATCONTRAESTAT" -- EXHIBITIONS AND SHOETANK PERFORMANCE 2020, Xavier G Solis"

 


"Xavier G-Solís held two exhibitions entitled ESTATAMBESTAT/ESTATCONTRAESTAT:

. 1 October - 8 November 2020, at Sala dels Trinitaris in Vilafranca del Penedès . 5 November - 5 December 2020, at Galeria Contrast in Barcelona

[The artist's words:] These exhibitions were initially due to open in March 2020, but were postponed when the state of emergency was declared. And so, the first global pandemic makes up a large part of both exhibitions. The video presents the performance SHOETANK and the two exhibitions that talk about the social situation in Catalonia after the sentencing of the elected Catalan politicians who organised the referendum for independence on October 1, 2017. The world has changed, but the repression of individual and collective freedom of expression in Spain continues to take place with total impunity."

Wednesday, February 10, 2021

"Pandemic as Polemic" ' -- Online seminar from the University of Barcelona


 "The Covid-19 pandemic has been a great challenge for everybody, individually and socially, and has raised many questions about lifestyle, environment, social and economic inequality, health policies, science and especially governance and politics. 

Covid-19, its development, impact and effects form the basis of most current debates in our media and politics, and the illness has therefore become a rich interface of conflict that exacerbates contemporary inequalities and creates new ones. Yet, polemic can also be the source of renovation and construction, and as such, Covid-19 needs and deserves to be discussed from a multidisciplinary, global perspective. 

The Barcelona November 2021 seminar Australian and Transnational Studies Centre│Fac. of Philology│U of Barcelona│Gran Via, 585│08007 Barcelona, Spain 

Pandemic as Polemic aims to provide such a floor for open-minded discussion. 

We invite scholars to submit proposals for panels, posters and papers on the topic, from whatever point of view or discipline. • Submissions should include an abstract of 200-300 words in the language of the paper (choose one of the nine languages listed below) as well as in English, together with a brief biography in English. All should be sent to the scientific committee no later than 15 May. • Acceptation of proposals will be informed by 15 June. 

The seminar will be held ON LINE on Thursday 4th and Friday 5th November, and is free of charge, but registration is needed at the e-mail address ceatubenrolment@gmail.com. 

The CEAT will send the information and links for the Seminar to the registered participants. English, Catalan and Spanish will be the languages of the Seminar, but participants can submit ad give their communications in German, French, Italian, Portuguese, Galician and Basque as well. No translation will be provided. 

For further information and submission of proposals contact us at ceatsubmissions@gmail.com Scientific committee: Dr. Isabel Alonso Breto, Dr. Montserrat Camps-Gaset, Dr. Maria Grau-Perejoan, and Dr. Martin Renes. "





Sunday, February 7, 2021

Deaf woman chosen as Podemos spokesperson in Valencia's parliament

[Photo: Europa Press]

In an historical first, Spanish progressive-left party Podemos has chosen Pilar Lima, who is hearing-impaired, as their parliamentary spokesperson in the Valencian parliament. She will communicate in sign-language.


 Source: Business Over Tapas. (A superb news summary service.)

Sunday, January 31, 2021

Covid, Brando and Moore what's more

   

[Colour-blind Covid warning]
Imagine...6 months from now the Covid-19 virus is able to breed in the air. 

   We are all scrabbling suddenly on the internet to buy "virus- safe" filters for the windows and air conditioners in our houses after another full lockdown/confinement/quarantine/international panic. 

   Imagine...There's the above possibility (or "potential", the word I keep hearing everywhere on mainstream media and the Twittersphere.) 

Somehow in my mind this is connected with a brilliant documentary I watched yesterday ("Listen to Me Marlon") on that most authentic of humans, Brando. He was one of the first males to use the power of suggestion in body and face language and movement, all coming from his harvesting and harnessing of childhood memory of his mother and a solitary upbringing in the open air and nature. 

He realised the primacy and goodness of Tahitians, indigenous first nation Americans, and was one of the few celebrities who put his body on the line in the early proto-BlackLivesMatter public protests in the late 1960s. 

He was with Martin Luther King around the time he was assassinated and years later still felt moved enough that he could still recall the sound of that brave soul's voice. Brando seemed to work and live his life as an expression of pure authenticity. 

One of the few writers who is doing the same today is Suzanne Moore. She just reeks of it: the unabashed openness of being herself. In a highly unfashionable act, she wrote recently about the importance of Freud, remembering him as he understood the babyish primacy of memory, childhood, want and nakedness.

Sunday, January 24, 2021

Spanish youths' surprising outlooks

 

[Photo: EFE]
‘Young Spaniards believe that they will live better than their parents, but in another country.

Those aged 15 to 29 are critical of the value of friendship, committed to social causes and sceptical of their political representatives’.

The survey includes a useful graphic. From La Vanguardia but found at Business Over Tapas.


Saturday, January 16, 2021

"A village with their own dialect and far from everything"

 

"From Fascinating Spain comes ‘San Martín de Trevejo, the village in Extremadura where Asturian (sic) is spoken’.

It begins ‘This is possibly the most isolated town in Spain, located in the Sierra de Gata and bordering Salamanca and Portugal. This geographical isolation may explain why it has an old town far from all the stereotypes of Extremadura.

It also conserves its own dialect, A Fala, which has been declared an Asset of Cultural Interest…""

(Found using the excellent weekly news service Business Over Tapas.)


Sunday, January 10, 2021

"Captured" -- My latest article for Catalonia Today magazine

[A surveillance camera in Barcelona. MANEL LLADÓ.]


 “I’m the only foreigner in the Catalan government,” Italian, Francesca Bria used to sometimes say when introducing herself to a public audience. 

In the two years leading up to the pandemic, her team’s work on “digital sovereignty” for people living in the Catalan capital might prove to be as important as others' efforts on political sovereignty.

A Financial Times article gave her the cringe-inducing title “Barcelona’s Robin Hood of Data” but Bria’s official job name was CTO (Chief Technology Officer) for the city. 

Along with Amsterdam, under Bria's’ charge, Barcelona was one of the two big cities that ran a pilot program titled DECODE that aimed to “provide tools that put individuals in control of whether they keep their personal data private or share it for the public good.” It was funded by the European Union's Horizon 2020 Programme.

Invited to take up this position by Mayor Ada Colau, the legal framework her team produced might just have helped prevent the mistakes of other European cities and countries where the rights of citizens are fast being snatched by corporations operating hand in hand with governments and their agencies.

Recent government attempts to authorise drone surveillance by police in France were only barely defeated by public pressure. 

Their use for the so-called public good in the fight against terrorism and to ensure national security came out of the usual conservative arguments that don’t admit that new technology can violate basic human rights. 

With conservatives, the ends always justify the means, except when it hurts the most financially well off in society.

Echoing the history of especially the last 4 years in Catalonia, 
independent consultant and curator Marta Arniani Marta Arniani (who has worked in the same EU circles as Francesca Bria) said to me, "There have been cases of police beatings and if it’s a case of an individual citizen’s voice against the police, we know where power lies. That’s why it’s very important to [be able] to film the police. This is valid for France, for Catalonia, for Europe. It’s a matter of making these systems accountable. People who work in civil rights, lawyers for example, should be able to access which algorithms and surveillance tools are utilised, for instance through public registries. As emerged in my research for Digital Future Society on the gender dimension of digital welfare , the digitalisation of public services is mostly subcontracted to private companies: there is little know-how and social impact evaluation inside the public bodies, and no oversight from independent observers. Digitalisation should be an occasion to review the bias encoded in our public systems through centuries, so that they can be more inclusive; instead, the dominant solutionist approach is leading to automating inequalities. That's the title of a very good book, by the way!"

I very much share experts like Marta's concerns. Police and private drones are already flying with minimal legal restrictions in Barcelona but late last year the Spanish government approved the use of flying air taxis in Barcelona (and Santiago de Compostela; curiously both places being major foreign tourist destinations.)

My first question with this and every proposed legal or technological change is, ”Does it benefit the average person in any way? If not, then who does it benefit and who does it disadvantage?” Expensive helicopter rides only benefit those who can afford them and cause noise and visual pollution for everyone else.

The same basic question needs to be asked about new technology, including “biometric” facial recognition cameras. In my opinion, the answer is similar: the richest 1% (or 5%) of the population are those who gain from it. As usual.


[A version of this article was first published in Catalonia Today magazine, January 2021.]

Sunday, January 3, 2021

"Richest 1% have almost a quarter of UK wealth..."

[Photo: Jeff Gilbert/Alamy]

'Official figures have missed £800bn of private assets, says thinktank, amid calls for wealth tax to fund Covid recovery'

Almost a quarter of all household wealth in the UK is held by the richest 1% of the population, according to alarming new research that reveals a historic underestimation of inequality in the country.

The study found that the top 1% had almost £800bn more wealth than suggested by official statistics, meaning that inequality has been far higher than previously thought. Researchers said the extra billions was a conservative estimate and could well be more.'

Read more from source at The Guardian's Observer here.

Thursday, December 31, 2020

Sunday, December 27, 2020

"In a small world" -- My latest article for Catalonia Today magazine


Barcelona isn’t well-known for flamenco but Kayoko Nakata, thinks it should be. 

As a Japanese flamenco dancer with a Catalan husband and two year-old son, she lives near the city’s Sant Pau hospital. When she can, she goes back to her place of origin in the rural Iwate region where she’s a lifetime cultural ambassador.


Kayoko told me, “At the Barcelona Ciutat Flamenco Festival at the end of October, my work, “Hermandad” was selected from a lot of applications and I was able to perform at the Auditori Sant Marti. “That was just before the last three concerts in the festival were cancelled due to Covid restrictions.”


“Flamenco is a small world,” said. “Here and in Seville where I studied it, the attitude is very often that [Romani] Gypsies do this and Japanese people could never dance flamenco. Tourists don’t want to see Japanese or Chinese or Africans dancing flamenco. It's a closed world too. I struggled a lot and eventually doors opened for me and I danced in “tablaos” (or daily organised performances on stage) a lot.”


“The title of my latest show means bonding but also brotherhood. In that way, it describes what I’ve done with two types of music. I fuse flamenco with traditional musical elements from Japan. 

For example, in the song that opens the show I dance dressed in a “kimono” (traditional and formal Japanese garment) and I use hand movements from the ancient “Nihon buyo”  dance from my region. 

There are people in Barcelona who really like being surprised by that mixture. I’m someone who wants to create music and movement without borders. I don’t feel Japanese or Catalan or Spanish. I’m a human, a person.” Summing up herself on her website, she uses the phrase “I DON'T KNOW WHERE I COME FROM OR WHERE I'M GOING.”


I asked Kayoko about the meaning to her of “duende,” that core spirit of the art that is said to take over flamenco dancers when they are in full flight. She compared it to the Japanese idea of “mu:'' nothingness or being without, "unasking." She said in that state, thought was absent, like when she meditates.


Other things are also absent in her life, however. Currently because of the theatres being closed and face to face sessions prohibited, Kayoko teaches flamenco online from her apartment, though she’s only doing a small number of classes. Her students are both in Japan and those living in Barcelona, where she believes the  flamenco scene is based on many thousands of residents who have an Andalusian family background.


Like so many other teachers though, she’s had to try to adapt this year. As have the people around her. “I think the neighbours in my building are angry at me because of all my stamping on the floor but luckily none of them have said anything,'' she laughs. “I want to restart classes in my studio because that’s more enjoyable.”


As a foreigner or “gaijin” as they are called there, I was lucky enough to live in Japan for three years. Similar to Kayoko Nakata, I also had a partner and young child with me. Also like her, I discovered something of a small world.


I learned that the world was not as big as I’d thought because Japanese people basically wanted many of the same things as me. This, despite the fact that they have a hugely different culture and history from where I’d grown up in Australia.


[This article was first published in Catalonia Today magazine, December 2020.]