Saturday, May 2, 2020

Guest post by Antoni Cardona on the Corona virus: "Imagine"



The lockdown that we have been suffering through these days could easily generate a lot of questions about now, of course, but also about the next period of the future.

I think that maybe the first issue is the psychological effort that every individual has to make to maintain normal mental conditions, or at least to try to overcome a number of challenges.

First of all, I’d like to say that I have a lot of confidence in Science in the abstract sense, but the Scientific World gives me very little belief in it because it is very often controlled by political and economic Power. I hope and expect that the mysteries of Coronavirus and its infection of human beings will be clarified in a few months and some treatments and vaccines will probably be discovered but  more in the long term.

 Researchers, health and social care, some government decisions -as people live in confinement or making the face mask compulsory-, all this will help to stabilize the expansion of Covid-19 illness around the world and achieve very low levels of newly affected people and death. We have to take into account the great number of government mistakes and indecisions in some other countries. How long will be needed to finish with Covid-19? What will be the final death toll? How much impoverishment will people have to suffer?

            On the other hand, I don’t trust countries – neither their governments and politicians - nor in global Economy. It’s very well-known that some countries intend to defeat their rivals or enemies, not so much by directly spreading viruses. Instead of that, these countries, generally rich and powerful ones, can try to suffocate their opponent's economy, steal or pollute their natural resources, prevent access to new knowledge and so on.
            
Moreover, in some supposedly democratic countries, people have their rights limited and the Power is extended, centralised and militarised. All of this is done with the excuse of fighting the Enemy, the Virus.
           
I’d like to imagine the world, humankind, having the ability to learn the lesson that nature has been given to us. After thousands and thousands of dead people, hundreds of thousands of infected people, millions of people having lost their jobs or seeing their incomes decreased, after all that, we can expect at least two possible ways out. One would be very bad and the other would be excellent.

The evil way out would be that Power in different countries acts as it is defined in the Shock Doctrine [by Naomi Klein.] To take advantage of shocked people (sad, disconcerted, scared or perhaps ill people) by way of the big disaster, then the Power cuts off a lot of social benefits, causing a regression of human rights and democratic values in general. For the people being hit like this it’s very difficult to notice the magnitude of the tragedy that is falling down onto them.

The best way out would consist of people reacting against the pandemic and its associated causes, such as the feeling of depression, fear, general impoverishment and the tendency towards a totalitarian society. How could people lose their fear of the authorities and their orders without being paralysed by the terrible Coronavirus threat? That’s the question.

My wish is that people, confined or not at home, look for imaginative solutions to empower themselves and go back to all kinds of  organisations in different fields and countries.

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Born in 1949, Antoni Cardona is a retired doctor, specialised in Psychiatry, who worked in different public health institutions.
At a very young age, he started writing poetry but later made the decision to more often concentrate on creating short stories.
Over a number of years, Antoni trained in various writing techniques at the Aula de Lletres de Barcelona then the Escola d'Escriptura de l'Ateneu, also in the Catalan capital.
He has contributed a story to each of the following literary collections: "Setze Petges" (2004), “Edició Especial” (2011), a food-themed title "Contes per menjar-se'ls" (2015) and “Passió pel conte” (2018).
Antoni has received a number of prizes at literary competitions such as the Narrativa del Col·legi de Metges (medical association.) Other awards for his short stories came from the professionals of the Taulí Hospital in Sabadell and the Crime Fiction Festival of l'Espluga de Francolí.
“Desoris endreçats” (“Ordering disorders”) is his first solo publication.


https://www.voliana.cat/llibres/desoris-endrecats/

"ORDERING DISORDER" (2018)

In this book of short stories you will find characters, some of whom are everyday people, and others that are difficult to come across in the streets.
These are characters who are suffering in silence or maybe without being fully aware of their pain and having different ways of coping: irony, indifferently acting in an off-hand manner, making life-changes, feeling desperate and intense hopelessness or even somehow adapting to their disasters. 
There are those as well who attract danger and play with it. The reader will also encounter characters that cause the cruellest suffering and physical hurt with contempt for their victim. 
Watch out too for those who operate using subtle over protection.


Monday, April 20, 2020

"Who owns London's golf courses?"

[Beckenham Place Park, a former golf course turned into a public park by its owner, Lewisham Council.]
"Half the golf courses in Greater London are owned by councils or the Crown Estate, a new investigation by Who Owns England can reveal. 
The findings add further impetus to growing calls for golf courses and other private green spaces to be opened up to the public during the coronavirus crisis, so that there is more space to safely exercise in...
              [Golf courses (red) vs existing public parks & gardens (green) in Greater London.]

The lockdown has highlighted how access to nature is a fundamental human need – there’s mountains of evidence on the physical and mental health benefits of getting outdoors – and the fact that this is a matter of social justice: people in deprived areas have smaller gardens and less access to green space.
In the context of this emerging debate, let’s take a look at who owns London’s golf courses, and whether they could be readily persuaded to open up to a wider public.

THE OWNERS OF LONDON’S GOLF COURSES: FROM HARROW TO IMPERIAL TOBACCO

To uncover who owns London’s golf courses, I took Ordnance Survey’s Greenspace dataset, extracted just golf courses, clipped this with the GLA boundary, cleaned up a couple of errors in the dataset where polygons overlapped, and measured the area of each course. I then cross-checked the resulting 131 golf courses against Land Registry’s Corporate & Commercial dataset to uncover the owners. The full results are in this Google Spreadsheet.
Here’s the headline findings:
Golf course owners in Greater LondonAcresPercent
Corporate / private5,12245%
Councils4,70242%
Crown Estate8538%
Split 50/50 council & private owner3633%
Unknown ownership:2702%
Total11,310 acres100%
Whilst most of the corporate owners are simply fee-paying golf clubs, there are also some intriguing names, including:
  • Harrow School;
  • Dulwich College, who have commendably already opened up their sports fields for the public;
  • Imperial Tobacco’s pension fund, owners of Selsdon Park golf course (who knew Big Tobacco cared about outdoor exercise?);
  • and Du Parcq (Jersey) Ltd, owners of Brockley Hill Golf Park, registered in the offshore tax haven of Jersey.
The Crown Estate own golf courses at Hampton Court, Richmond Park, and Eltham, amongst others.
But to me the most interesting owners are the councils. Hillingdon, Enfield and Barnet are the top three London councils who own the most acres of golf course. And Bexley, Brent, Bromley, the City of London Corporation, Croydon, Ealing, Harrow, Havering, Hounslow, Kingston, Lee Valley, Lewisham, Redbridge, Richmond, Sutton, Waltham Forest – together they own thousands of acres of golf courses. They could all be opening this up immediately, if they chose to, to create more space for safer exercise. So why don’t they?
If you’d like to see this change, please sign and share my petition!"
Source here.

Saturday, April 18, 2020

Video: "ADULTS IN THE ROOM" (Trailer of Costa-Gavras' film of Yanis Varoufakis' book)


"Behind closed doors, a human tragedy plays out.

A universal theme: a story of people trapped in an inhuman network of power.

The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded.

A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them. A tragedy in the Ancient Greek sense: the characters are not good or evil, but driven by the consequences of their own conception of what it is right to do.

A tragedy for our very modern time."

WATCH the trailer here.

Saturday, April 11, 2020

"Remembering Pau Casals" -- My latest article for Catalonia Today magazine





























The first Catalan name I ever (knowingly) heard was that of Pau Casals. I was around eight years old and listening to a Monty Python comedy record.
An English mock-commentator’s voice introduced “The Sonatino in E sharp by Antonio Vivaldi to be played by Pablo Casals during his 400 foot plunge into a bucket of boiling fat.” Next was the sound of a violin soloist playing a few bars, then a long scream followed by the sound you’d expect of someone falling through the air into a container of liquid.
This was very funny as a kid but, in fact, Casals was mainly a cello player and so much of this man’s life, his beliefs and practices, make Monty Python’s comedy sketches seem tame and dull in comparison.
Pau Casal’s mother Pilar (who was originally from Puerto Rico) had brought him up to treat everyone as an equal. He claims she openly breastfed his baby brother in front of the Spanish infanta (the sister of the king) on their first day at the royal palace in Madrid. The young cellist had gone there to audition for a scholarship from the queen but it turned out to be barely enough for the family of four to live on.
Fluent in seven languages, Casals became a public friend to many well-known figures in the arts, including Colonel George Picart, a hero of the infamous, anti-semitic Dreyfus case in Paris at the turn of the century.
Casals was full of contradictions, too. Adventurous by nature, he was also a creature of habit. He started more than 80 years of his life every day playing two preludes and fugues by Bach but somehow found new vitality in himself and the music every time he did so.
Rightly though, it is his musical genius that he is still remembered for.
His belief that intuition or instinct is the most important factor in the creation and performance of music was not then a popular opinion. He was also controversial in his development of radical methods of using his main instrument but understood the fundamental importance of “playing songs in the language of everyone.”
Listening to his interpretation of the old Catalan folk song (Casals says it is actually a Christmas carol) ‘El Cant del Ocells’, or Song of the Birds, brought tears flooding into my eyes and tugged at my heart strings in the first handful of notes he played. He seems to have the ability to drag you under the waves for a few wrenching seconds then within a few beats, thrust you up, blinking hard into the warmth of the sun.
My only criticism of this extraordinary man (who was also an accomplished orchestra conductor) is his mental and emotional blindspot towards the monarchy. Casals called himself a life-long Republican but his continually fawning attitude towards them was at odds with his stated attitude.
While he understandably felt indebted to the Spanish royals for early opportunities in his career, it seems to me that in his autobiography ‘Joys & Sorrows’ he exaggerated the “friendship” he had with King Alfonso XIII and Queen Maria Cristina who, as his supposed “second mother”, gave him decorative honours and jewels. Casals failed to state that their riches and position came at the expense of ordinary people such as his own family.
Just like his name Pau, Casals was essentially an international man of peace. Surely, this is partly because three major wars straddled his life, the same way he straddled the cello. He once said: “The love of one’s country is a splendid thing. But why should love stop at the border?” These are still important sentiments today, almost half a century after his death.

[THIS ARTICLE WAS FIRST PUBLISHED IN CATALONIA TODAY MAGAZINE,MARCH 2020.]

Friday, April 3, 2020

"How a wave of municipalisations in Europe is challenging privatisation"

  
"A wave of privatisations made its way from the coast of Britain towards the Continent in the 1980s; gaining momentum after the fall of the Berlin Wall, privatisations became a tsounami hitting the shores of Europe in the 1990s, east and west. 

Former state monopolies in “strategic sectors”  were privatised for all sorts of reasons: to encourage innovation, promote economies of scale, reduce public debt, attract foreign direct investment and improve productivity. Privatisation was now conventional wisdom.


Goods formerly considered public – water, transport, housing, energy, electricity, telecommunications, waste treatment, health, education – were treated as commodities. Under the guise of consumer protection, often, privatisation eroded the quality and accessibility of public goods and services.
Be that as it may state-owned companies and institutions in Europe have largely become passé, although they are very much the norm in China, India, Russia, and other emerging markets. However, in Europe too,  there is movement in the opposite direction, that is, towards public ownership.
A recent study published by the Amsterdam-based Transnational Institute (TNI) reveals a pattern of return to public ownership...
Read more from source here.

Sunday, March 29, 2020

"InfoBarcelona: New labour advice services for citizens, organisations and businesses"

"In response to the current Covid-19 crisis, a freephone number has been set up to handle labour queries from citizens and a new Barcelona Activa portal opened up to facilitate financial support and resources to help workers, organisations and self-employed professionals in the business sector. 

In addition, Barcelona Activa will not be charging rent to any companies housed in its business incubators while the state of emergency is in place.

New freephone number for citizens
The new service offers personalised phone support and is aimed at anyone with doubts and queries which Barcelona Activa may be able to resolve. The freephone number (900 533 175) will be operational from Monday to Friday, from 9 am to 6 pm. Depending on the nature of each enquiry, they will be referred to specialist services and resources.
Points to protect labour rights
While the state of emergency is in place, face-to-face support provided at labour rights protection points at the three district offices has been suspended. The service is being provided by phone and online instead and is available citywide.
Website with information on financial resources
Barcelona Activa has set up a new information portal on financial resources and support provided by all administrations, aimed especially at micro companies, SMEs, the self-employed and workers, who have borne the brunt of the drop in turnover since the state of emergency was declared. The website also provides services for businesses, cooperatives, organisations and associations who request it.
Subsidies for projects from the cooperative, social and solidarity economy
Organisations also have access to an online advice service to present projects from the cooperative, social and solidarity economy for open subsidy calls. The goal of this service is to resolve queries relating to documents for calls from the programmes ‘Impulsem el que fas’ and ‘Enfortim l’ESS 2020’.
Read more from source at barcelona.cat  here.

Wednesday, March 25, 2020

Tonight: "Hope and humour in times of Coronavirus"

Co-writer of the brilliant comedy Seinfeld, Larry Charles is in conversation with Srećko Horvat from DiEM25 tonight at 7.00PM CET.

 40 min live conversation + 20 min Q&A with Larry Charles

"We call it TV because we like retro-futurism. But it's much more than TV. In times of global pandemics, DiEM25 is launching a special online and completely free program to understand the current crisis and offer tools and hope to get out of it stronger and more united in building the World After Coronavirus. Everyone will be able to join and pose questions, suggest next topics and next guests! 

THE LOCATION

Online
This discussion will take place on Zoom and also be streamed on the DiEM25 Youtube channel. We will send a link to all ed participants, so please ."

Saturday, March 21, 2020

"Women Writers in Catalan"



"This is a catalogue with a selection of 50 contemporary and ten classic women writers...
Written in English, with the exception of the literary samples by each author, with the English translation and the original Catalan text, it's book to discover Catalan literature written by women, prose and poetry, classic and contemporary. 
A book to help getting to know and understanding Catalan literature and some of the women who have helped to create and construct it. "
Read more from source here.

Sunday, March 15, 2020

"Post-sentence:" My latest opinion column for Catalonia Today

["February 12, 2019," photo (by the artist) of a piece from the exhibit."]  
If art is to be meaningful it has to say something significant from the private or public world; one artist who does this is Barcelona’s Xavier G-Solis.


Having seen some publicity for his upcoming exhibitions in Barcelona and Vilafranca del Penedes, it’s clear to me that in his work he’s skillfully combining profound statements with more intimate acts of expression. 
In other words (like me), he sees the role of an artist as being someone who communicates in images where words alone don’t do the required job.
What appeals to me most about his creations is the pro-democracy and anti-authoritarian symbols in the exhibition, which has a title that is a play on words of “state”. Or maybe it’s more accurate to also say “State”.
In a piece that could be controversial to some, he uses shoes – his most popular item of choice over his career – in this case alternating red and yellow espadrilles previously worn by dancers at the Festa Major de Vilafranca.
These traditional Catalan shoes are shown with a military-style sword skewering through them. Their hanging down laces suggested running blood and puss to me. The work is entitled “February 12, 2019”, the date when the pro-independence political prisoners’ trial began.
This is what has been termed as a post-sentence installation, arranged alongside some engravings made with an open-casting machine on bare ground: a brutal and forceful technique that the artist hadn’t used since 2012, when the outraged “Indignats’’ occupied the Catalan capital’s most well known public square (as well as Xavier’s attention.)
Next to this are two pieces entitled “Europe”, including a bank safe that has a combination number lock forgotten years ago. Who knows what’s inside. As well as the promise that visitors are going to have the opportunity to manipulate one of the exhibits, the artist has also been scheduled to do some kind of performance in the gallery.
G-Solis, a former lecturer in philosophy, told me: “If you want to understand my work, you may have to start by thinking about the history of the human, the history of the power of man and how it began with the technique of making fire and continued with the gesture of getting on top of the world and other humans: the powerful high classes began to wear skins under the feet or some kind of sandals for ceremonies. Finally, footwear was globalised as a sign of socialisation: repression, distance, simulation, psychological protection, ostentation. All characteristic of the worst kinds of power.”
And that is exactly what I personally want from art, in any of its forms: substance.
We are living in an age where, sadly, the written word is carrying less weight as an important way to influence minds and actions. Increasingly, visual artistic expression is the preferred means for a younger public to get their ideas, and in the case of video, also their information and inspiration.
In private art galleries in Catalonia, there are still legal ways to make our chosen points. If that becomes dangerous or impossible in this European country, then we are no longer living in a place that can claim to be a democracy.

[This article was first published in Catalonia Today magazine, March 2020.]

Saturday, March 7, 2020

"The Normalization Of Far-Right Populism In Europe"

Herbert Kickl, Austrian politician (FPÖ) – (Photo credit: Michael Lucan, Lizenz/Creative Commons)

"A new coalition agreement in Austria highlights how bigoted, far-right policies are being embraced by mainstream political parties in Europe...

To date, in no country in Western Europe or North America, has a right-wing populist made it into office without help... Wherever conservatives and Christian Democrats decide against supporting right-wing populists, they have not been able to succeed."

Read more from source here.

Sunday, March 1, 2020

Nobody says it better...

   
I've never read anything that undestands what's behind support for Brexit or explains it better...

Definitely worth reading from start to finish.


A.A. Gill (Sunday Times journalist and food critic) writing about Brexit before his death in Dec 2016:

“It was the woman on [BBC] Question Time that really did it for me. She was so familiar. There is someone like her in every queue, every coffee shop, outside every school in every parish council in the country. Middle-aged, middle-class, middle-brow, over-made-up, with her National Health face and weatherproof English expression of hurt righteousness, she’s Britannia’s mother-in-law. The camera closed in on her and she shouted: “All I want is my country back. Give me my country back.”
It was a heartfelt cry of real distress and the rest of the audience erupted in sympathetic applause, but I thought: “Back from what? Back from where?”

Wanting the country back is the constant mantra of all the outies. Farage slurs it, Gove insinuates it. Of course I know what they mean. We all know what they mean. They mean back from Johnny Foreigner, back from the brink, back from the future, back-to-back, back to bosky hedges and dry stone walls and country lanes and church bells and warm beer and skittles and football rattles and cheery banter and clogs on cobbles. Back to vicars-and-tarts parties and Carry On fart jokes, back to Elgar and fudge and proper weather and herbaceous borders and cars called Morris. Back to victoria sponge and 22 yards to a wicket and 15 hands to a horse and 3ft to a yard and four fingers in a Kit Kat, back to gooseberries not avocados, back to deference and respect, to make do and mend and smiling bravely and biting your lip and suffering in silence and patronising foreigners with pity.
We all know what “getting our country back” means. It’s snorting a line of the most pernicious and debilitating Little English drug, nostalgia. The warm, crumbly, honey-coloured, collective “yesterday” with its fond belief that everything was better back then, that Britain (England, really) is a worse place now than it was at some foggy point in the past where we achieved peak Blighty. It’s the knowledge that the best of us have been and gone, that nothing we can build will be as lovely as a National Trust Georgian country house, no art will be as good as a Turner, no poem as wonderful as If, no writer a touch on Shakespeare or Dickens, nothing will grow as lovely as a cottage garden, no hero greater than Nelson, no politician better than Churchill, no view more throat-catching than the White Cliffs and that we will never manufacture anything as great as a Rolls-Royce or Flying Scotsman again.

The dream of Brexit isn’t that we might be able to make a brighter, new, energetic tomorrow, it’s a desire to shuffle back to a regret-curdled inward-looking yesterday. In the Brexit fantasy, the best we can hope for is to kick out all the work-all-hours foreigners and become caretakers to our own past in this self-congratulatory island of moaning and pomposity.

And if you think that’s an exaggeration of the Brexit position, then just listen to the language they use: “We are a nation of inventors and entrepreneurs, we want to put the great back in Britain, the great engineers, the great manufacturers.” This is all the expression of a sentimental nostalgia. In the Brexiteer’s mind’s eye is the old Pathé newsreel of Donald Campbell, of John Logie Baird with his television, Barnes Wallis and his bouncing bomb, and Robert Baden-Powell inventing boy scouts in his shed.

All we need, their argument goes, is to be free of the humourless Germans and spoilsport French and all their collective liberalism and reality. There is a concomitant hope that if we manage to back out of Europe, then we’ll get back to the bowler-hatted 1950s and the Commonwealth will hold pageants, fireworks displays and beg to be back in the Queen Empress’s good books again. Then New Zealand will sacrifice a thousand lambs, Ghana will ask if it can go back to being called the Gold Coast and Britain will resume hand-making Land Rovers and top hats and Sheffield plate teapots.

There is a reason that most of the people who want to leave the EU are old while those who want to remain are young: it’s because the young aren’t infected with Bisto nostalgia. They don’t recognise half the stuff I’ve mentioned here. They’ve grown up in the EU and at worst it’s been neutral for them.
The under-thirties want to be part of things, not aloof from them. They’re about being joined-up and counted. I imagine a phrase most outies identify with is “women’s liberation has gone too far”. Everything has gone too far for them, from political correctness — well, that’s gone mad, hasn’t it? — to health and safety and gender-neutral lavatories.

Those oldies, they don’t know if they’re coming or going, what with those newfangled mobile phones and kids on Tinder and Grindr. What happened to meeting Miss Joan Hunter Dunn at the tennis club? And don’t get them started on electric hand dryers, or something unrecognised in the bagging area, or Indian call centres , or the impertinent computer asking for a password that has both capitals and little letters and numbers and more than eight digits.

Brexit is the fond belief that Britain is worse now than at some point in the foggy past where we achieved peak Blighty.

We listen to the Brexit lot talk about the trade deals they’re going to make with Europe after we leave, and the blithe insouciance that what they’re offering instead of EU membership is a divorce where you can still have sex with your ex. They reckon they can get out of the marriage, keep the house, not pay alimony, take the kids out of school, stop the in-laws going to the doctor, get strict with the visiting rights, but, you know, still get a shag at the weekend and, obviously, see other people on the side.
Really, that’s their best offer? That’s the plan? To swagger into Brussels with Union Jack pants on and say: “ ’Ello luv, you’re looking nice today. Would you like some?”

When the rest of us ask how that’s really going to work, leavers reply, with Terry-Thomas smirks, that “they’re going to still really fancy us, honest, they’re gagging for us. Possibly not Merkel, but the bosses of Mercedes and those French vintners and cheesemakers, they can’t get enough of old John Bull. Of course they’re going to want to go on making the free market with two backs after we’ve got the decree nisi. Makes sense, doesn’t it?”

Have no doubt, this is a divorce. It’s not just business, it’s not going to be all reason and goodwill. Like all divorces, leaving Europe would be ugly and mean and hurtful, and it would lead to a great deal of poisonous xenophobia and racism, all the niggling personal prejudice that dumped, betrayed and thwarted people are prey to. And the racism and prejudice are, of course, weak points for us.

The tortuous renegotiation with lawyers and courts will be bitter and vengeful, because divorces always are and, just in passing, this sovereignty thing we’re supposed to want back so badly, like Frodo’s ring, has nothing to do with you or me. We won’t notice it coming back, because we didn’t notice not having it in the first place.

Nine out of 10 economists say ‘remain in the EU’

You won’t wake up on June 24 and think: “Oh my word, my arthritis has gone! My teeth are suddenly whiter! Magically, I seem to know how to make a soufflé and I’m buff with the power of sovereignty.” This is something only politicians care about; it makes not a jot of difference to you or me if the Supreme Court is a bunch of strangely out-of-touch old gits in wigs in Westminster or a load of strangely out-of-touch old gits without wigs in Luxembourg. What matters is that we have as many judges as possible on the side of personal freedom.

Personally, I see nothing about our legislators in the UK that makes me feel I can confidently give them more power. The more checks and balances politicians have, the better for the rest of us. You can’t have too many wise heads and different opinions. If you’re really worried about red tape, by the way, it’s not just a European problem. We’re perfectly capable of coming up with our own rules and regulations and we have no shortage of jobsworths. Red tape may be annoying, but it is also there to protect your and my family from being lied to, poisoned and cheated.

The first “X” I ever put on a voting slip was to say yes to the EU. The first referendum was when I was 20 years old. This one will be in the week of my 62nd birthday. For nearly all my adult life, there hasn’t been a day when I haven’t been pleased and proud to be part of this great collective. If you ask me for my nationality, the truth is I feel more European than anything else. I am part of this culture, this European civilisation. I can walk into any gallery on our continent and completely understand the images and the stories on the walls. These people are my people and they have been for thousands of years. I can read books on subjects from Ancient Greece to Dark Ages Scandinavia, from Renaissance Italy to 19th-century France, and I don’t need the context or the landscape explained to me. The music of Europe, from its scales and its instruments to its rhythms and religion, is my music. The Renaissance, the rococo, the Romantics, the impressionists, gothic, baroque, neoclassicism, realism, expressionism, futurism, fauvism, cubism, dada, surrealism, postmodernism and kitsch were all European movements and none of them belongs to a single nation.

No time for walls: the best of Europe, from its music and food to IM Pei’s pyramid at the Louvre, depends on an easy collision of cultures

There is a reason why the Chinese are making fake Italian handbags and the Italians aren’t making fake Chinese ones. This European culture, without question or argument, is the greatest, most inventive, subtle, profound, beautiful and powerful genius that was ever contrived anywhere by anyone and it belongs to us. Just look at my day job — food. The change in food culture and pleasure has been enormous since we joined the EU, and that’s no coincidence. What we eat, the ingredients, the recipes, may come from around the world, but it is the collective to and fro of European interests, expertise and imagination that has made it all so very appetising and exciting.

The restaurant was a European invention, naturally. The first one in Paris was called The London Bridge.

Culture works and grows through the constant warp and weft of creators, producers, consumers, intellectuals and instinctive lovers. You can’t dictate or legislate for it, you can just make a place that encourages it and you can truncate it. You can make it harder and more grudging, you can put up barriers and you can build walls, but why on earth would you? This collective culture, this golden civilisation grown on this continent over thousands of years, has made everything we have and everything we are, why would you not want to be part of it?

I understand that if we leave we don’t have to hand back our library ticket for European civilisation, but why would we even think about it? In fact, the only ones who would are those old, philistine scared gits. Look at them, too frightened to join in.”


Saturday, February 22, 2020

"Street photographer documenting Madrid's invisible population"

"When Michael Damanti, a photographer from the United States, moved to Madrid five years ago with his Spanish wife and two children he expected to make a bunch of new friends in the new city...

'In 2015 I was an outsider in this country, trying to learn the language and find work. A chance encounter soon changed that, forming the beginnings of a long-term photographic series about Romani population in Europe,' he told The Local.

'Walking home one day from another disappointing day of cliche photos, I came across a Roma Girl sleeping on the ground holding an old change cup. Her name was Sibella. I knelt down to take her photograph and as I stood up I noticed another Roma-girl walking right towards me saying, "What are you doing? That is my sister!" That was the day I met the "Cobadin-Girls of Sol".


“Over the next four years I met with them every day, carefully documenting their story and gradually becoming absorbed into their lives. We have been through births, deaths, arrests, fights and the day to day struggles we all endure.”

What he has produced is a remarkable set of photographs of a group of people who are at best invisible to society and at worst, the frequent targets of abuse.

At first, he approached them with handmade signs with witty slogans, such as 'freewifi' and '#Brexit: Keep calm and give me money' to replace the ineffectual ones they had written themselves.
“This was the way into their lives, I noticed their signs were incredibly long (5-6 lines) and 100 percent trite and boring.  No one was reading them. So I offerend alternatives, lighthearted signs with quick simple messages in English for the tourists. This began the friendship.”

Read more from Fiona Govan's article at the Local.es here.