Showing posts with label war. Show all posts
Showing posts with label war. Show all posts

Tuesday, February 28, 2023

"Top 10 neglected books about the Spanish Civil War"

 


 The Guardian recently published an article by Sarah Watling with [arguably] lesser-known books about the Spanish Civil War that are available in English. 

Literary Rambles blog recommends the ones by Rukeyser, Cercas, Laforet and Rodoreda.


Sunday, January 29, 2023

La mà que va signar el paper* (The Hand That Signed The Paper) – A poem by Dylan Thomas


 (*Translated into Catalan below with Antoni Cardona)



La mà que va signar el paper va enderrocar una ciutat;

Cinc dits sobirans van posar taxes a l’alè,

Van duplicar els morts a la terra i van partir pel mig un país;

Aquests cinc reis van fer que morís un rei


La poderosa mà porta a una espatlla inclinada,

Les articulacions dels dits estan comprimides amb guix;

La ploma d’oca ha posat fi a l’assassinat

Que posa fi a la conversa

 

La mà que va signar el tractat va generar una febrada, un excitació

I va créixer la fam, i van venir llagostes;

És gran la mà que manté domini sobre

L’home mitjançant un nom gargotejat


Els cinc reis compten els morts però no suavitzen 

La crosta de la ferida ni fan copets al front;

Una mà governa la pietat i una mà governa el cel;

Les mans no tenen llàgrimes per vessar.



Original in English:

The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.

The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose’s quill has put an end to murder
That put an end to talk.

The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.

The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.

Saturday, August 6, 2022

"Who took away our food?"

   


"On Monday, the world’s eyes were on a ship leaving the port of Odesa — carrying 26,000 tons of Ukrainian corn, it was the first such shipment since Russia’s invasion of Ukraine in late February.

 

For months, every magazine and newspaper carried the same headline: A global food-crisis is looming. Record-high food prices had thrust millions into food insecurity and communities into poverty. Soon after Russian troops crossed into Ukraine, the price of wheat surged 70% and western leaders sought to tie the price increases to the war. Russia, in turn, blamed the US and European sanctions imposed against it, and Ukraine and Europe blamed the “blockade” of Ukrainian ports.

 

But the crisis of hunger predates the conflict. “Nearly one in three people in the world (2.37 billion) did not have access to adequate food in 2020” according to a 2021 report by the UN’s Food and Agriculture Organisation (FAO). But, production and supply, especially of commodities like wheat, had not changed much at all. Well before the grains left the port of Odesa, the soaring wheat prices from February this year had already fallen — in mid-July, they fell to pre-war levels.

 

We produce more than enough food to feed the world’s entire population. Yet, our people are hungry. The spike in food prices this year, and indeed the years before it, was never about interrupted supply, not exclusively anyway — but about speculation and profiteering in the markets — a fact that has been ignored in all major reports about the food crisis from the World Bank, FAO, and other international institutions.

 

New data by Lighthouse Reports, a European nonprofit, shows that speculation in commodities markets is the dominant driver of the spike in prices, with speculators responsible for 72% of all buying activity on the Paris wheat market in April.

 

They create hunger because they can. Each year, tens of millions of subsistence farmers are forced from their land by multinational agribusinesses. This process — in its scale, almost unparalleled in human history — destroys sustainable agricultural production and forces people into slums, where access to food is dependent on prices and incomes. Poverty, not underproduction, causes famine.

 

They profit from our hunger because they can. The rising food crisis created “62 new food billionaires” in just 24 months since the beginning of the pandemic. These corporate empires do not trade in food — they trade in starvation.

 

For decades, popular forces like La Via Campesina have been fighting to build a fairer global food system. It can be done: The Indian farmers’ strike of 2020-21, which successfully overturned three neoliberal agricultural laws, gives us confidence about the power of people to resist the global regime of hunger. But to win, popular forces will need to go further — winning state power and wielding it to reclaim food from the jaws of those who profit from our hunger."



From Progressive International


Wednesday, March 3, 2021

"Yemen: The 9-year-old war-zone school teacher"


 The most moving 90 seconds of TV I've seen in a long time.

"In the city of Taiz, Yemen, hundreds of children arrive for lessons each day in the ruins of a school near to front-line fighting between the government and Houthi rebels.

Ahmed, a nine-year-old boy who has been blind since birth, steps in to take classes when the teachers can't make it.

One in every five Yemeni schools is out of use, according to Unicef. But at this one, teachers decided to open it despite the damage, so that education could continue."

Produced by Orla Guerin, Goktay Koraltan, Claire Read, Ahmed Baider and Suad al-Salahi.

Friday, May 31, 2019

3 min. VIDEO: "Two worlds" -- The brilliant imagery of Uğur Gallenkuş





"Istanbul-based artist Uğur Gallenkuş portrays two different worlds within in a single image.

Combining a pair of side-by-side photographs - one of the thriving Western world and the other of the war-torn Middle East - he highlights how, despite living on the same planet, these places could not be more different.

The differences are as striking as they are heartbreaking."

Friday, April 26, 2019

"Barakat becomes [only] second woman to win International Prize for Arabic Fiction"

 "Lebanese author Hoda Barakat has won this year’s $50,000 International Prize for Arabic Fiction (IPAF) for her epistolary novel The Night Mail (Dar al-Adab), only the second woman to get the award.


Judges picked Barakat from a six-strong shortlist featuring a record four female authors. She was announced as the winner at a packed ceremony in Abu Dhabi...on Tuesday night (23rd April).
In addition to winning $50,000, funding will be provided for the English translation of The Night Mail. An English edition has already been secured by Oneworld, scheduled to appear in 2020, and Barakat said the book, with its themes of migration, would be "very interesting" to readers in the current UK climate.
Her novel tells the stories of its characters through letters written to their relatives in Lebanon, interconnecting and overlapping during the course of the work. They left not only because of war but their home’s painful past and uncertain future. Its theme is described as “one of deep questioning and ambiguity, where boundaries have been erased, and old places and homes lost forever”.
In her speech, Barakat, who left Lebanon during its civil war and now lives in France, revealed she nearly did not enter the prize this year after only being longlisted in 2013 for her novel The Kingdom of This Earth (Dar al-Adab). However, she said Booker Prize Foundation chairman Jonathan Taylor helped convince her to enter again. She said: "The Arabic language is more important to me than any prize."
Speaking afterwards, she explained: "I don't seek exposure, I don't seek popularity."
"I don't care about statistics and numbers," she went on. "If I sell 15 books it's fine, if I sell 50 books then that's better."
She also praised the other shortlisted novels, saying: "This is proof that Arabic fiction is growing in position and stature to an equal level with other novels." "
Read more from source at The Bookseller here.


Sunday, April 15, 2018

Syrian refugees to finish university studies in Catalonia

"Students who were forced to interrupt their studies because of the war in Syria and who are now refugees in Lebanon, will finalise their degrees in Catalonia starting next year. 

The 20 students will be spread across 12 Catalan universities, thanks to a pioneering project promoted by the Generalitat. Each will have a grant of €10,000 a year to study and maintain themselves in a student flat."

Source: Catalonia Today (news.)


Monday, June 27, 2016

"A Children's Book Introduces German Kids to the True Story of Syrian Refugees"

[Credit: Jan Birck]
"There are now more than 65 million people displaced by conflict in the world, the highest level ever recorded. Half of these refugees are children.

Germany has received more than 1 million refugees, mostly from Syria and Iraq. Despite supporters initially celebrating Chancellor Angela Merkel's actions, many Germans have begun voicing concerns about when this acceptance of migrants will come to an end.

But while the adults in Germany have expressed mixed reactions to the refugees, German author Kirsten Boie wants children at least to realize that a refugee child is just like any other kid in the world.

In her latest children’s book, “Everything Will Be Alright,” she writes the true story of Rahaf and her family, who flee Homs, Syria due to bombings by war planes. The family crosses the Mediterranean Sea on a small boat, ultimately choosing a small town near Hamburg, Germany to start their new lives.

The book is published in German and Arabic and is meant to be read at school to both German-born children and their new immigrant neighbors. (An English translation is available online here.)"

Listen to this story on PRI.org »